In May 2015, the cover story of Toronto Life magazine shook Canada’s largest city to its core. Desmond Cole’s “The Skin I’m In” exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws.
The Skin We’re In is about the interlocking forces besieging Black life in Canada; and it is also about organizing resistance and imagining futures in bravely intimate terms. Desmond Cole is an urgent and essential voice from a generation that will be heard. — David Chariandy
Both Cole’s activism and journalism find vibrant expression in his first book, The Skin We’re In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles the year 2017 in the struggle against racism in this country. It was a year that saw calls for tighter borders when Black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more.
In a month-by-month chronicle, Cole locates the deep cultural, historical, and political roots of each event so that what emerges is a personal, painful, and comprehensive picture of entrenched, systemic inequality.
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A deeply affecting portrait of a long partnership and a clear-eyed account of the impact of a serious illness, writing as consolation, and the enduring significance of poetry from one of Canada’s most celebrated voices.
When we ran off together in 1978, abandoning our marriages and leaving wreckage in our wake, I was a “promising writer,” Patrick had just won the Governor General’s Award. I was so happy for him, and I’ve continued to be every time an honour comes his way, but I knew if I didn’t grow, if I remained merely someone who showed potential, we wouldn’t last. I swore I wouldn’t play the dutiful wife, cheerleader, and muse of the great male writer, and he didn’t envision a partner like that. We aspired to flourish together and thrive in words and books and gardens.
When Lorna Crozier and Patrick Lane met at a poetry workshop in 1976, they had no idea that they would go on to write more than forty books between them, balancing their careers with their devotion to each other, and to their beloved cats, for decades. Then, in January 2017, their life together changed unexpectedly when Patrick became seriously ill. Despite tests and the opinions of many specialists, doctors remained baffled. There was no diagnosis and no effective treatment plan. The illness devastated them both.
During this time, Lorna turned to her writing as a way of making sense of her grief and for consolation. She revisited her poems, tracing her own path as a poet along with the evolution of her relationship with Patrick. The result is an intimate and intensely moving memoir about the difficulties and joys of creating a life with someone and the risks and immense rewards of partnership. At once a spirited account of the past and a poignant reckoning with the present, it is, above all, an extraordinary and unforgettable love story.
Told with unflinching honesty and fierce tenderness, Through the Garden is a candid, clear-eyed portrait of a long partnership and an acknowledgement, a tribute, and a gift.
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From the first page, King’s sardonic and very funny voice leads us to places we never expect to go …European and Indigenous history collide and there’s no one better to examine the aftermath.
– Toronto Star
Meet Bird and Mimi in this brilliant new novel from one of Canada’s foremost authors. Inspired by a handful of old postcards sent by Uncle Leroy nearly a hundred years earlier, Bird and Mimi attempt to trace Mimi’s long-lost uncle and the family medicine bundle he took with him to Europe.
“I’m sweaty and sticky. My ears are still popping from the descent into Vaclav Havel. My sinuses ache. My stomach is upset. My mouth is a sewer. I roll over and bury my face in a pillow. Mimi snuggles down beside me with no regard for my distress.
‘My god,’ she whispers, ‘can it get any better?’”
By turns witty, sly and poignant, this is the unforgettable tale of one couple’s holiday trip to Europe, where their wanderings through its famous capitals reveal a complicated history, both personal and political.
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Poet, novelist, singer-songwriter, artist, prophet, icon — there has never been a figure like Leonard Cohen. He was a true giant in contemporary western culture, entertaining and inspiring people everywhere with his work. From his ground-breaking and bestselling novels, The Favourite Game and Beautiful Losers, to timeless songs such as “Suzanne,” “Dance Me to the End of Love,” and “Hallelujah,” Cohen is a cherished artist. His death in 2016 was felt around the world by the many fans and followers who would miss his warmth, humour, intellect, and piercing insights.
Leonard Cohen, Untold Stories chronicles the full breadth of his extraordinary life. The first of three volumes — The Early Years — follows him from his boyhood in Montreal to university, and his burgeoning literary career to the world of music, culminating with his first international tour in 1970.
Through the voices of those who knew him best — family and friends, colleagues and contemporaries, rivals, business partners, and his many lovers — the book probes deeply into both Cohen’s public and private life. It also paints a portrait of an era, the social, cultural, and political revolutions that shook the 1960s. In this revealing and entertaining first volume, bestselling author and biographer Michael Posner draws on hundreds of interviews to reach beyond the Cohen of myth and reveal the unique, complex, and compelling figure of the real man.
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A son who grew up away from his Indigenous culture takes his Cree father on a trip to their family’s trapline, and finds that revisiting the past not only heals old wounds but creates a new future.
The son of a Cree father and a non-Indigenous mother, David A. Robertson was raised with virtually no knowledge or understanding of his family’s Indigenous roots. His father, Don, spent his early childhood on a trapline in the bush northeast of Norway House, Manitoba, where his first teach was the land. When his family was moved permanently to a nearby reserve, Don was not permitted to speak Cree at school unless in secret with his friends and lost the knowledge he had been gifted while living on his trapline. His mother, Beverly, grew up in a small Manitoba town with not a single Indigenous family in it. Then Don arrived, the new United Church minister, and they fell in love.
Structured around a father-son journey to the northern trapline where Robertson and his father will reclaim their connection to the land, Black Water is the story of another journey: a young man seeking to understand his father’s story, to come to terms with his lifelong experience with anxiety, and to finally piece together his own blood memory, the parts of his identity that are woven into the fabric of his DNA.
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